After getting the attention from some reputable beer bars in New York City with their English-style cask ales, Michael Messenie and Tim Lee took their homebrew project to the next level and formally established Dutchess Ales in 2016 as a cask-only brewery. The project began as a means for the two to have the type of beer they had while in the UK, but couldn’t readily find at home.

There are few breweries in the United States with a genuine commitment to traditional English-style ales, and fewer putting their beer in casks (Machine House, Yorkshire Square, Hogshead, Forest and Main and Bonn Place come to mind). Dutchess popped on my radar a couple of years ago through social media, and I was immediately intrigued, especially since their home base of Wassaic, NY (located in Dutchess County) is a little over an hour from where I live.

Cask ale is nearly impossible to find, and these days when it is available, it is often an experimental beer. I’m not against people doing that, but I personally don’t have much interest in it. So when cask beer enthusiasts like myself find a brewery making traditional beer to be served from a hand pump, not too far from where they live, they get excited.

However, I’m sure like many other fans of traditional cask ale, this excitement usually comes with a bit of trepidation as many US breweries have struggled to successfully execute these varying styles. Further, the bars that serve them, often don’t have the expertise on how to properly handle cask ale.

Not surprisingly, it’s tough to turn a profit being a cask-only operation, and Messenie and Lee knew the end was in sight if they continued to be “overly idealistic”, as Messenie put it. Indeed, with just a handful of accounts, limited output, and no public taproom, profits were severely limited.

Accordingly, Dutchess ramped up production in 2019 by brewing their own beer at Great South Bay in Bay Shore, Long Island, and distributing in cans. They went from having just a handful of accounts, to being distributed all over the metro New York market in a short amount of time, and I was finally able to get my hands on some of their beer.

With my first pint, their Pale Ale called GB (previously, Ghost Beer), I was pleased to find that they nail it, making subtle, English-style ale, delicately incorporating modern American tastes. Sure, this concept is not new, and Dutchess doesn’t hide the fact that their beer is really a hybrid of American and English influences. Countless breweries have tried to do it since the craft beer revolution began several decades ago, but few do it well.

It makes sense that Messenie cites inspiration from UK breweries Adnams and Thornbridge. Adnams being a well-established brewery that makes excellent ales, and Thornbridge, a younger brewery that is based on tradition, but has not shied away from modern trends. Dutchess is successful with intentions that don’t stray far from their inspiration, and they completely maintain the spirit of the styles they brew.

While can sales have taken off, cask production continues to do well (at least until Covid-19 hit. The brewery has halted cask production for the time being.) The brewers are strict about accounts they will provide their casks, only supplying those they know are able to properly handle and serve the beer. The names will come as no surprise to cask fans in New York City, including Spuyten Duyvil and Blind Tiger. You can also find them at The Grand Delancey, a recent addition to the city’s craft beer scene that regularly has cask ale. This was where I first had GB from a hand pump. I was there for a special event featuring other breweries, but I couldn’t pass on the opportunity to have a proper cask ale. Or two.

In addition to the GB, I’ve also had Mizmaze, which they call an Extra Special Bitter (ESB), and Augur, which is a Porter. The latter is the most traditional of the three with an aroma, flavor profile and mouthfeel that fits with what many older American beer aficionados would call a “Porter”. Of the three, it’s the only one with an English hop. It includes East Kent Goldings, among others. The base malt for this and GB is Maris Otter from Thomas Fawcett. It’s a very enjoyable beer.

Of those that I tasted, Mizmaze is the beer that I would most like to have from a hand pump. The “Bitter” style, and its subcategories can be a bit fuzzy, but a unifying theme is that they are all quite drinkable, with low carbonation, a good balance between malt and hops, though with a bitter presence. Everything about Mizmaze fits the bill, including its 4.4-percent ABV, and 34 IBU’s. The base malt for this beer is Golden Promise. Perhaps more than any other, this style demonstrates how magnificent traditional cask ale can be.

This is in contrast to what some inexperienced and experimental brewers are putting in cask. Commenting on those that are making weird cask one-offs, Messenie says, “brewers (in my opinion) should maybe consider the fact that not every beer is right for a cask - I think it is a vehicle to show the beauty and subtlety of the best ingredients, not a wow factor.”

I think Dutchess, particularly it’s GB, the Pale Ale, could serve as a gateway for modern craft beer drinkers, bringing some much needed interest to these classic, under-appreciated styles. Messenie, discussing the prospects for cask ale in the United States, optimistically notes, “if brewers and bars can find a nice meeting place and the quality is continuously improving, when consumers are directed to the cask option, I think they will keep coming back for more.”

The 2020 New York City Beer Week Opening Bash was held on February 22nd, and I went in pursuit of humble beer, of course. This shindig kicks off a week long series of events, designed to celebrate the City’s craft beer scene. The NYC Brewers Guild organizes Beer Week, and it’s a great opportunity to sample the City’s beer, and meet the people who are making it.

While I didn’t have to look too far to find it, humble beer was not surprisingly far outnumbered by the bold and the hype (i.e. IPA in varying forms, pastry beers and experimental sours.) That said, there was enough there that I couldn’t try them all before having my fill.

It’s tough to put an exact number on how many beers were poured, as many brewers had other beers on-hand that were not officially listed. The guide indicated 187 beers, and of those, I would identify 18-percent as humble beer. However, well over half of those were Pilsner, and the rest were one here, one there of a number of styles like Helles, Blonde Ale, and Bitter.

A few standouts that I had not previously tried were Strong Rope’s Pub Ale, a Schwarzbier by Big aLICe Brewing Co., and Marx Pale Ale by Circa Brewing Co., but there were many more. I checked in with a few of my other local favorites like Threes Brewing, Keg and Lantern and Folksbier Brauerei., all pouring excellent Pilsners.

There was a notable presence in the use of local/regional ingredients. While this is not directly related to humble beer, most beers made with an intentional use of local ingredients seem to be on the traditional side. I spoke with Jesse Ferguson of Interboro Spirits & Ales who noted how the quality of ingredients in New York State has greatly improved. I can say they do shine in the Pale Ale Interboro poured, made in collaboration with Indian Ladder Farms Cidery and Brewery from Upstate New York.

The event included a number of breweries from outside of NYC. In fact, the majority of breweries in attendance were not local. I’m not sure of the basis for selecting these breweries (though some have done collabs with local breweries, some have staff previously from NYC), but I was happy to see a few of them here.

Maine’s Oxbow Brewing Company had Luppolo, their crisp and delicious Pilsner. As part of beer week, they were also in town for an event at Beer Street, an excellent craft beer bar in Brooklyn. Also from Maine, Banded Brewing Co., was at the event. While I was in Portland last summer, I didn’t have the opportunity to try their beer, so I was happy to see them at the Opening Bash. They were also pouring a Pils that I really enjoyed.

Rockwell Beer Co. was making their first NYC appearance, and I was very excited to try their beer (I briefly discussed this St. Louis brewery in my first Casket Beer post). Rockwell places a strong emphasis on classic styles of beer, and their Pilsner was exceptional. It was also nice to see their head brewer Jonathan Moxey who I had crossed paths with over a decade ago at a few homebrew meetings. He was clearly talented back then, but also courteous with inexperienced homebrewers.

I was also excited that Forest and Main from Pennsylvania were there. A couple of years ago, after having a few drinks with Jess Reaves at Tired Hands (he was brewing there at the time, and is now at Industrial Arts), he said we had to visit Forest and Main. They make amazing farmhouse ales, but I really fell in love with their subtle British ales. I dream about spending lazy weekend afternoons knocking back these beers in their cozy space, and I was hoping they would have brought some to NYC. Unfortunately, they came with the former, though I can’t complain too much, because the one I tried was great.

Speaking of farmhouse ales, while there were plenty of outlandish ones being poured, there were also a number of simple, refined examples. This includes Prescience Farmhouse Blonde from one of the City’s newest breweries, Wild East Brewing. It was the first beer I had from them, and I was impressed. They’re coming out of the gates strong.

Transmitter Brewing, the OG NYC farmhouse brewery, was also pouring their straightforward, Belgian-inspired ales with their Classic Saison and Dry Hopped Golden, in addition to their Pre-Prohibition Lager.

One of the City’s oldest breweries, Brooklyn Brewery, provided a non-alcoholic beer for designated drivers, those looking to downshift for a minute, and others in need of an ashtray.

This event was proof that craft Pilsner is not a passing fad. And the good news is that while it was hard to find decent local examples in the past, there are now a number making them very well.

Sadly, it was slim pickings for anyone in search of humble beer beyond Pilsner. That said, I had plenty of great beer, there were many more that I didn’t get to try, and overall, it was an excellent event. Kudos to the NYC Brewers Guild and their partners.

I launched this blog one year ago simply as a way to shine a light on humble beer. The kind of beer that people don’t line up for, or trade online. There have not been as many posts as I would have liked, partially due PorchDrinking.com kindly asking me to contribute to their site about halfway through the year (many thanks to Tristan Chan and the crew over there for the opportunity. I am particularly grateful for the editors who clean up my mess). That has taken up some of the precious free time I have to dedicate to writing. That said, it has been a good year of promoting humble beer, both here, and on social media.

As someone who has had a lifelong interest and education in geography, my favorite part of having this site is seeing its geographic reach. As of the date of this post, Casket Beer has been viewed in 39 countries. I won’t exaggerate and claim it has been viewed in large numbers. That said, it’s still pretty cool.

While there are views in countries whose beer cultures I am familiar with, there are many more that I know little about. The map inspired me to look into some of these countries a little closer, particularly South Africa and Vietnam. My limited beer knowledge in these countries included 101-level awareness of bia hoi culture in Vietnam, as well as the Czech influence there, and I knew of Mitchell’s Brewery in South Africa. I knew this brewery solely because I recall seeing their plastic bottles in one of Michael Jackson’s books, and I was somewhat fascinated with them.

Overwhelmingly, the United States is influencing the majority of countries that I looked into around the globe. While that is unfortunate in some respects (with a focus on trendy over traditional), it still provides hope that the industry is flourishing in areas where it was stagnant or dead.

In many places, aspiring brewers have few resources to learn the trade. As a result, it seems that output is often inconsistent and/or flawed. Perhaps with time, these cultures will grow, revive some old traditions and/or create some new ones as well.

It’s also interesting to see familiar mistakes like the disdain for “lager” in these younger markets. As was the case here in the US, the intent is to reject the bland swill made by the big corporate breweries in favor of “craft beer” made by “independent” companies in a “microbrewery”. It’s a misused and misunderstood concept that leads many away from the world of lager, whether it be a light pilsner, a dark and complex rauchbier, and everything else in between. Hopefully, the young brewers will recognize the beauty of lager before too much damage is done. Our craft beer scene is still impacted by this ignorance. Even when brewers actually want to make bottom-fermented beer, the quality, more often than not, is lackluster.

South Africa

A hurdle for South African breweries is the need to educate consumers. In an article, unfortunately titled ‘Craft brewers attempt to win over lager drinkers in South Africa’, a board member of the Craft Beer Association South Africa noted “one of the craft beer industry’s greatest challenges in South Africa is getting South Africans to drink something other than lager.” They need to do a better job communicating to constituents. It leads to consumers that are poorly informed, and make ridiculous comments like the following, noted in the same article, “South Africa is lager country, and you grow up with that…The great thing about craft beers is it’s not lager. It’s ales, which is less bubbly, and you can drink more before you get drunk and it kicks hard.” Oof.

Contrary to the comment above, getting people to drink craft lager in South Africa is perhaps the real challenge. Modern consumers, like the one quoted above, are looking for hazy IPA’s, sours, etc. Traditional consumers don’t understand what the product is, and assume it is something quite different from the lager they’re used to drinking, even if it is a helles or a pilsner.

There is hope for lager in South Africa though, and some of it is coming from a brewer with ties to big beer. Apiwe Nxusani-Mawela, owner of Brewsters Craft, was quoted in an article from The Beer Connoisseur saying “lagers are much more interesting than many beer drinkers – and brewers – think, and our aim is to show South African drinkers that lagers can have the same variety in color, flavor and aroma [as ales]”. She does that as an educator, providing training at her facility, which also serves as a contract brewery (Brewsters Craft itself is not a brand of beer.)

Nxusani-Mawela has an impressive background in the brewing industry. According to the Brewsters Craft website “Apiwe has over 12 years practical brewing experience within both macro and micro brewing industries. She holds a BSc Honours in Microbiology from University of Pretoria, Master Brewer qualification from the Institute of Brewing and Distilling and was the first person in South Africa to complete the NQF6 National Diploma in Clear Fermented Beverages.” That macro brewing experience included several years with SAB (South African Breweries, previously SABMiller, currently a subsidiary of ABI.)

According to Nxusani-Mawela, from the same The Beer Connoisseur piece, “what I find interesting is that a lot of beer drinkers still refer to our beers as ales,” explains Apiwe. “Most South African beer drinkers consider a lager to be ‘what SAB and Heineken make’ – everything else is considered an ale, so I have to do a lot of educating and explaining.”

Nxusani-Mawela has maintained a good relationship with her former employer, and they retained her services to contract brew a beer in honor of Women’s Month earlier this year. Bold Brew was designed and brewed by women. The project was particularly important to her as the first black woman owned brewery in the country who wants to make it clear that women have historically been the ones brewing beer in South Africa. Largely, that beer is a homebrew called “umqombothi”, a native drink brewed with sorghum. (The same type of beverage is made elsewhere in Africa, and may go by other names. When produced commercially, it is sometimes referred to as “chibuku”.)

While sorghum is grown elsewhere around the world, it is only in Africa where it has played a significant part in brewing culture (that may be changing in places like the US, as sorghum produces a gluten-free beverage that caters to those with celiac disease and others on a gluten-free diet). Umqombothi is a cloudy and sour beer, and it seems it is a matter of time before this becomes a hip new fad here in the US.

Vietnam

Vietnam is one of the largest consumers of beer in Asia, and it has one of the most active craft beer scenes on the continent right now. Starting in the 90s, then picking up steam in the 2000s, activity began largely with a Czech/German influence due to the country’s historic connection to Czechoslovakia from the communist era. Czechoslovakia was welcoming to Vietnamese immigrants, and when communism fell, some returned to Vietnam, bringing with them their taste for good lager. The growing economy in Vietnam continues to bring people back, and the connections between the two countries remain, leading to training for the Vietnamese from Czech brewmasters, as well as access to some of quality brewhouse equipment. The most notable is Hoa Vien Brauhaus, a brewery, beer hall and the Czech Embassy.

This decade has seen greater influence from American trends. Some of the leaders include Pasteur Street Brewing and East West Brewing Company, the latter founded by a former ABI business and sales manager. Another, Heart of Darkness, has had great success, recently expanding into Singapore, which is seeing a growing interest in craft beer.

Perhaps a more interesting, and concerning trend is the decline of bia hoi culture. Bia hoi is a very light, low-abv lager that is consumed fresh on draft. A glass is incredibly cheap (about 30-cents), and typically enjoyed at sidewalk cafes (also called bia hoi) in copious amounts. The beer itself may not be much to write home about, but the culture around it is rich.

Given its sessionable ABV, perishable quality, and social attributes, it reminds me of cask ale and pub culture in England. Unfortunately, like cask ale, bia hoi’s future is uncertain.

In his latest book, A Brief History of Lager: 500 Years of the World’s Favourite Beer, Mark Dredge discusses the changing bia hoi culture, with establishments essentially being bought by “Big Beer”, preferring to sell bottled beer, in part, catering to tourists. But, as Dredge notes, bia hoi was not created with tourists in mind; it has served local communities that did not have the resources to pay for premium beer, and were in need of places to socialize outside of their hot and humid homes.

With the continued growth in Vietnam’s economy, and improvements to the quality of home life, that market may be shrinking as people can afford to add air conditioning in their homes, where they can engage with others through social media. They can also afford beer that is more expensive. That said, there remains a portion of the population that cannot afford these luxuries, and is losing a valuable third place.

Dredge attempts to offer hope for the bia hoi culture by noting that it may not disappear so easily as the Vietnamese greatly value tradition. Given country’s evolving economy, it’s tough to see a scenario where tradition will outweigh money, but I hope I’m proven wrong.

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Like any good beer, a good beer culture should be balanced. The world has seen so much growth with modern beers, and I am generally not opposed to that as long as there is balance with traditional styles. Happy New Year!

Source: Muttermilch Vienna Brewery

While Vienna Lager had long been a stranger in its birthplace, there are signs of hope as the style is being embraced by a new generation of brewers. Though this rebirth may not be a precise re-creation of the original, it is nonetheless exciting to see Austrians once again giving attention to lager brewed with Vienna malt that is somewhere between a Helles and a Dunkel.

Vienna Lager transformed as it made its way from Austria to Czechia, Mexico, the United States and elsewhere. Using a variety of different malts, particularly Munich and Crystal, the style grew darker in color and sweeter in taste. Some of the new brewers in Vienna are also using a blend of malts, and nontraditional hop varieties, straying from the original style. What is the result? I cannot say from experience, but I am optimistic.

Is it appropriate to continue calling these beers Vienna Lager? Most that are identified as a Vienna Lager fall within the parameters set forth in the Beer Judge Certification Program (BJCP) Style Guidelines. Yet, the guidelines for this style are not in keeping with the original version. If a lager is brewed with a majority of Vienna Malt, is roughly in the range of 5 to 5.5 ABV, finishes on the dry side, and falls somewhere in the vicinity of deep gold to amber in color, I’m fine with that being called a Vienna Lager. I’m sure others will disagree.

It’s worthwhile to note that Vienna lagers keeping with the original style can be found. The historic brewery Ottakringer makes a version that uses Vienna and Melanoidin malts, hopped with Saaz. Ottakringer has an offshoot brewery called Brauwerk, and they have a lineup consistent with American trends. Their “imperial Vienna lager” called Crown Princess, comes in at 7.2-percent alcohol, and has an added hop presence from a whirlpool addition.

The gypsy brewery known as Brew Age focuses on American style brews, but makes a Vienna Lager as they find it important to have a traditional beer as part of their core lineup. They chose Vienna because they did not want to make a Märzen (which in Austria is more like a helles), the ubiquitous and mass-produced brew.

“Malzstrasse”, or “Malty Way”, Brew Age’s Vienna, is what they describe as an “ode to malt”. According to brewmaster Johannes Kugler “we work with almost exclusively Vienna Malt and add only a hint of Caramel Malt. Compared to other Vienna Lagers in Austria, ours is much drier in taste and does not have an overly sweetish caramel character which some examples have. So a pretty quaffable beer, with still lots of malt character without being sweet. What is not exactly traditional in our version is the choice of hops. While Saaz would be the old school hop to go with, we decided to go with Hallertau Mittelfrüh, since we like the fresh flowery-citrusy quality of it.” The brewery is not targeting a specific demographic with this beer, and has found that out of all their releases, it has the widest audience.

Brew Age has a retail location in Vienna, but they make most of their beer at Brauhaus Gusswerk, just outside Salzburg. Gusswerk, while also making some modern, US-style brews, has more traditional products in their lineup. In addition to a Vienna Lager, they also make a steinbier (stone beer).

Muttermilch Vienna Brewery, located in a basement below the well-known store BeerLovers, is also making a blend of traditional and new. I love their design theme, including the one for their Vienna Lager, called Wiener Bubi (see above). Finally, 100 Blumen is also putting their subtle fingerprint on traditional styles like Vienna lager.

Back on this side of the Atlantic, it is also younger brewers that give hope for this style. Cerverza Minerva is keeping the Mexican tradition alive, while pFriem Family Brewers, Dovetail Brewery, and vonTrapp Brewing are making exceptional versions in the United States. Eliot Ness, the classic by Great Lakes Brewing Company, is also still alive and kicking. It’s pleasantly surprising to see that it has over 3,000 reviews on BeerAdvocate, with a rating over 4.0.

The 2015 Style Guidelines for the BJCP indicate that Vienna Lager is on the “watch list” for a potential move to the historical beer style category. The original Vienna Lager probably should be on this list. However, the modified version that many have come to know as Vienna Lager may be here a little while longer. Stay tuned, and drink lager. Light, dark, and everything in between.

Eating and drinking are two of my favorite pastimes, and Denver, as I just discovered there on a long weekend, is a city that excels in both of these areas. While Colorado is well-known for its bold brews, Denver has a diverse brewing scene, and it is not hard to find good, humble beer. Accompanied by my best friend (a.k.a. my wife), here’s what we found.

Thursday

Dinner our first night was at Mercantile Dining and Provisions, which, with a highly regarded chef, and prime location inside Union Station, was an ideal way to kick off the trip. The menu, which may appear ho-hum at first glance, included several complex dishes that were expertly executed. We shared the mussels, lobster tortellini, gnudi, and grilled pork loin. I accompanied these with the Bohemian Girl Pilsner by Tivoli Brewing Company, and the 8 Second Kölsch by Elevation Beer Company. Both were quite enjoyable, especially the Kölsch.

Following dinner, we stopped at the craft beer institution Falling Rock Tap House. They had two selections from the local Hogshead Brewing on cask. Though Hogshead was on my itinerary for the next day, I couldn’t resist knocking back a beautifully subtle mild ale. As I would later find out, Hogshead is selective in what accounts they will allow to pull their cask ales, though given Falling Rock’s reputation, it should come as no surprise that it is served there.  

I believe Falling Rock was also pouring the well-known Slow Pour Pils by Bierstadt Lagerhaus. Bierstadt also takes their beer very seriously, and will only distribute to local accounts that commit to properly pouring their brew. This means, among other things, the pils must be in a proper glass, and, as the name implies, it must be a slow pour (a three step pour that takes about 5 minutes). While I was also looking forward to trying Bierstadt’s brews at their brewery, I did not have one at Falling Rock. In hindsight, that was a mistake.

Cask ale at Hogshead Brewery

Friday

Hogshead Brewery may have been the stop I was most looking forward to on this trip. With that excitement came the fear that it would be a disappointment. It was not. Their tasting room is small, and though it is supplemented with some outdoor space, it was raining on and off while we were there. So, the room was cozy at happy hour with a mix of patrons of varying ages.

We had two cask ales, including the Barge Mild and the Cook Lane (best bitter). On the draft side, based on the name alone, I had to get the Downtown Julie Brown Ale, which was excellent (wubba wubba wubba), as was the Chin Wag (ESB), Mother in-Law and Divine Right. Hogshead does these traditional English ales well, and they clearly have an audience in Denver. I cannot overstate how pleasant it was to sit in this taproom a knock back a few subtle, low-ABV pints. Simply put, the craft beer community needs to be encouraging more establishments like this across the country.

After a stop for dinner, we visited Prost Brewing Company. Prost, for the most part, makes traditional German brews. There were a few nods to current trends with an IPL, a Whiskey Doppel and a kombucha. I opted for a keller pils, and my wife got the dunkelweizen. Both were pleasant, and the view of downtown was fantastic. Prost is very close to a trendy food/drink hall called Avanti. Avanti is also known for its view of the city, and the food and drink lineup is good. If you’re in the neighborhood, my recommendation would be head to Prost.

Saturday

Breakfast burrito at Smok

Saturday morning brought us to The Source Hotel + Market Hall. New Belgium has a small brewing operation there, and Crooked Stave has a taproom. I would’ve been happy to have a Fat Tire Amber or Von Pilsner in their homeland to add to my list of humble beer stops, but unfortunately it was 10AM, and both were closed. The Source, as well as the nearby Zeppelin Station, bill themselves as shopping and arts destinations, in addition to food and drink, but they really seem to excel most on the latter two. Not a critical stop if you’re in town for a short visit, though my brisket breakfast burrito from Smok was delicious (but it did not beat the breakfast burrito I had the day before at Taqueria La Familia in The Highlands neighborhood, which I devoured before I could take a picture.)

After some strolling in the RiNo neighborhood, we stopped by Bierstadt Lagerhaus, which I was eagerly anticipating. Again, I was not disappointed. Their Slow Pour Pils is perfect. There really is not a whole lot else to say about this beer beyond that. It is by far one of the best in the country. I followed this up with a collab smoked helles (I don’t recall who the collaborating brewery was). It was excellent. I wish I could’ve stayed there all afternoon to work through their menu.

The one unfortunate thing about Bierstadt Lagerhaus is their welcome message on their website’s homepage. “Apparently, it is allowable to add strawberries, gummy worms, pizza, and all matter of other things to a “beer.” Each to their own. You do you. We aren’t ones to judge.” This strikes me as an odd and negative way to welcome people to your business. This brewery would be an absolute grand slam for me, but this message leaves a bad taste in my mouth. 

A few blocks away, worlds collided for me at Ratio Beerworks. The owners of Ratio come from the same music scene I have been so passionate about since the 90’s, and the names of their beers honor many classics from that era.

Two of my all-time favorite records

From their menu, I chose two beers with names that are near and dear to my heart. Dear You, a French saison, is named after an album by the recently reunited Jawbreaker. It was controversial when it was released because it was the band’s first on a major label. They lost a lot of old fans who cried “sellout”, and didn’t gain many new ones. I loved the album, and these days, with Jawbreaker’s reunion, it has been revisited, and being more warmly received than it originally had been. Younger me may have cried “sellout” over the use of juicy American hops to this beer, but I found it refreshing, and it actually worked quite well for me.

Fugazi’s debut album, ‘Repeater’, was a groundbreaking release in the American punk and hardcore scene. As hardcore was moving in a direction of male aggression, Minor Threat’s lead singer began a new project that broke away from an overly aggressive sound and scene, to one that was passionate and intelligent. Ratio named their extra pale ale after this album. This is one of those flagship kind of beers I could happily crush all day at a barbecue.     

While at Ratio, I had the good fortune of meeting Tristan Chan, their Marketing Manager. In addition to his work at Ratio, he is also the creator of Porchdrinking.com. Tristan shared his knowledge of the Denver scene, and gave us a quick tour of Ratio’s facility. I was most impressed when I learned about their support of the arts and charitable contributions to the community.

Enjoying the view at Ratio Beerworks

Ratio’s love for the arts is further reflected on the facade of their building, which has a wonderful mural. Same goes for their neighbor down the street, Our Mutual Friend (OMF), where we stopped after dinner that night. Their menu is fairly diverse, with humble beers like a keller pils, a mild, and a brown ale, and more on the other side of the spectrum with a variety of IPA’s, sour beers, et. al. Staying focused, I had the pils and the mild, which were superb. I really wanted to try their brown, with house roasted malt, as well as several of their wild and sour beers, but I had to restrain myself, a little.

 Sunday

Contrasting Bierstadt Lagerhaus’ website, the message on the website of TRVE Brewing states “our goal is to give you a rad place to hang out and drink killer beer…Our beers may or may not exactly adhere to any particular guidelines – we’re style blasphemers and category agnostics – but you can count on the fact that we’ll always brew damn good beer.” Known as the heavy metal brewery, TRVE is an inviting space, and their patrons vary widely. While the passion for metal is not a gimmick, it shouldn’t scare anyone away.  

I had their keller pils and grisette, which I really enjoyed. In addition to these, I was thrown a curveball upon entering their taproom when I saw they had a number of cans from Austin Texas’ Live Oak. Live Oak is one of the few breweries making the Polish-style grodziskie beer, which I greatly enjoy, and rarely see. I had to have one of those.  

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Denver lived up to it reputation as a great beer city. While I didn’t make it to all the places I wanted to visit, we certainly did pretty good for a couple of days. From a humble beer perspective, it was great to see places like Hogshead and Bierstadt being warmly embraced by their community.